¶ … Ophelia's burial and funeral. At the beginning of the scene, two clowns (gravediggers) make jokes about death and also wonder whether Ophelia was a good Christian woman and worthy of burial in a Christian cemetery. Finally, the two gravediggers make a joke about the "houses" they build lasting "till doomsday," referring to the eternity and finality of death. This message about mortality continues as Hamlet enters the scene and speaks with the gravediggers. Until this point, Hamlet has no idea that it is Ophelia who is about to be buried. When he figures it out, Hamlet goes crazy and professes his undying love for Ophelia. In the final scene of the play, Hamlet confesses to having Rosencranz and Guildenstern killed. Hamlet also tells Horatio that he sympathizes with Laertes, because both Hamlet and Laertes seek revenge for the death of their fathers. Claudius has arranged for Laertes and Hamlet to fight in a duel and plans to poison Hamlet if Hamlet should win. However, Gertrude ends up drinking from the poisoned cup and Hamlet ends up killing Laertes with the poisoned sword. In their final moments, both Gertrude and Laertes realize the truth of Claudius's treachery and forgive Hamlet. Hamlet has been wounded too, and as he dies, he proclaims Fortinbras as the new King of Denmark.
2. Quotes:
Scene 1: "I lov'd Ophelia. Forty thousand brothers / Could not with all their quantity of love / Make up my sum. What wilt thou do for her?" (V.1.214). Spoken...
" This madness likely leads to Ophelia's suicide but, consistent with the entire theme of this play, the exact nature of Ophelia's demise is left to speculation. The fascination with Hamlet is uncanny. What provides this fascination is the fact that there is always more to what is going on in the play than what actually appears to be. Observers of the play are left with an overwhelming feeling that they
"(Summary and Analysis: Act V) CONCLUSION It is clear that Hamlet undergoes a personal transformation as he holds the skull of the court jester of his childhood and as he has lost all of those he loves so dear. Whether his mind clears or he simply is able to step back from that which bound him from action and had him hiding behind a mask of insanity it is clear that Hamlet
Shakespeare Final Opportunity for Reflection and Writing Identifications: "Stand and unfold yourself" This quote comes from Shakespeare's Hamlet. Francisco and Bernardo are two guards standing watch in the middle of the night at the castle Elsinore. This is the second line of the play, spoken by Francisco in response to Bernardo's question of who goes there. It is an important part because it sets the tone for the rest of the play. Much of
To act in a murderous, vengeful way that is contrary to his true nature, and to assume madness creates madness. At first, Hamlet suggests that vengefulness in a corrupt court is a kind of sanity, when he vows to put on an antic disposition, but he acts in a way that is more and more contrary to his moral nature as the play goes on, rebuking his mother against
She...handles Rosencrantz and Guildenstern with skill and diplomacy...has the accent of command with her son...witty and perceptive about Polonius...she is not stupid at her job: there she gives out and reserves herself in good proportion." (Pennington 160) Gertrude's performance in the court shows Branagh makes a commitment as a director to giving the female characters of the play individualistic integrity beyond their ability to mirror different Oedipal aspects of
That is, Ophelia is limited to seeing herself through the eyes of others, and men in particular, having achieved no core identity of her own. Her brother Laertes could easily today also be a modern-day "organization man," as could have been his father Polonius before him), that is, listening to higher authority and then acting to please that authority, without thinking or reflecting on the wisdom or efficacy, generally
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